Lous Martens about the book: "Seventeen years ago our grandson Jaap was born. That was the start of an animal book for Jaap. I used a dummy for the OASE journal of architecture and loosely pasted in pictures of animals that I had clipped from newspapers and magazines about art, literature and science. Plus stamps and photos from advertising brochures. Then Zeno was born and the same thing happened: an animal book for Zeno. Now I was working on two books at once. Then came Anna. Julian. Luca. At this point, there were five books-in-the-making on the table. And none of those five are finished yet. The children, as well as myself, enjoy seeing the small, ever-evolving changes. The additions. These books were never intended for the outside world where I had found all the pictures. Never intended to be published. Now they lie here, grouped into one big book, because others have convinced me it's what they deserve."

The beloved children’s book “Click”, said the camera., first published in 1997, is available again. It features animal portraits by photographer Balthasar Burkhard, who started the series in 1995.

The twenty animals meet for the photographer’s beauty contest. On Burkhard’s portraits all the animals are equally beautiful. The protagonist of the story is a shy donkey watching the cheerful activity. Markus Jakob describes the illustrious rendezvous with kind and humorous words.

Balthasar Burkhard (1944–2010) was a Swiss photographer well-known for his large-format black-and-white photography.
Markus Jakob (born 1954) writes features, reports, and miscellanea for various media.

To what extent can we trust photography and science? Robert Zhao Renhui explores these questions in A Guide to the Flora and Fauna of the World, which appears to be an authentic catalogue of plants and animals but is in fact entirely fictitious.

Renhui’s guide ostensibly “documents” 55 different animals, plants and environments that have been manipulated by man but do not appear to be, and examines the myriad ways in which humans are altering nature. Here are curious creatures that have evolved in often unexpected ways to cope with our changing world, including rhinoceroses with barely visible horns and monkeys dependent on food handed out by humans. Other organisms in the series are the products of human intervention, mutations engineered to serve various purposes from scientific research to the desire for ornamentation, such as man-made gelatin grapes, genetically modified tomatoes and “unbreakable” eggs.

All living things constantly adapt to the various pressures they face including predators, pollution and environmental change. Yet the human species has undeniably emerged as the main perpetrator of the dangers that threaten the survival of other life forms. A Guide to the Flora and Fauna of the World reminds us of this fact, and above all to retain a critical, cautious and ironic attitude to the “real.”

A Song of Life presents Diana Michener’s most recent body of work, poignant photographs of animals that for the artist have become close to self-portraits.

Michener began photographing animals unexpectedly during a trip to India in 2006 where, intimidated by the chaos of the street, she wandered into a zoo and turned her lens to its rhinoceros, elephants and gazelles. Haunted by the resulting images of confinement, Michener became increasingly obsessed with them and decided to expand the project, first at the menagerie at Paris’ Jardin des Plants and later in various zoos throughout Europe and the USA. During her visit to each zoo, Michener remained silent and still for hours in front of the cages, almost in communion with these creatures who take on a close to mythical dignity in her photos.

Ol Pejeta Conservancy in Kenya is one of the largest rhinoceros sanctuaries in the world and home to Najin & Fatu, a mother and daughter who are the last living Northern White Rhinos in existence. Davison visited Ol Pejeta to photograph Najin & Fatu with their tirelessly devoted caretaker Zacharia, for a New York Times article about the successful in-vitro fertilization of their frozen eggs by a team of scientists, that may soon create a lifeline to avoid extinction of the species.

Davison turns his inimitable eye on Ol Pejeta Conservancy to capture the grace, power and pathos of Najin & Fatu, as well as focusing on the deep spiritual and physical connection between the rhinos and their keepers, who guard them with their life, using dogs, weapons, drones and surveillance. Like the powerful interplay of light and dark that often characterises Davison's work, Ol Pejeta is also a story of contrasts: on the one hand, the deep tragedy of another species slipping away at the hands of mankind, and on the other, the hope and optimism presented by science and innovation to support and uplift the fragile natural world.