Our relationship with animals is fraught and contradictory: we simultaneously mythologize, venerate, sacrifice, and exploit those who are not of our species. This paradox suggests that our connection with animals might be more complicated, and far richer, than commonly thought, and that the distinction between human and animal is not at all clear-cut. By laying down a novel artistic and theoretical framework, Animality, devised by Jens Hoffmann in conjunction with Marian Goodman Gallery, looks to examine this complex relationship. Written to accompany an exhibition of the same name, it includes more than seventy participants, mostly from the world of art, but also covering film, literature, philosophy, and science.