To what extent can we trust photography and science? Robert Zhao Renhui explores these questions in A Guide to the Flora and Fauna of the World, which appears to be an authentic catalogue of plants and animals but is in fact entirely fictitious.

Renhui’s guide ostensibly “documents” 55 different animals, plants and environments that have been manipulated by man but do not appear to be, and examines the myriad ways in which humans are altering nature. Here are curious creatures that have evolved in often unexpected ways to cope with our changing world, including rhinoceroses with barely visible horns and monkeys dependent on food handed out by humans. Other organisms in the series are the products of human intervention, mutations engineered to serve various purposes from scientific research to the desire for ornamentation, such as man-made gelatin grapes, genetically modified tomatoes and “unbreakable” eggs.

All living things constantly adapt to the various pressures they face including predators, pollution and environmental change. Yet the human species has undeniably emerged as the main perpetrator of the dangers that threaten the survival of other life forms. A Guide to the Flora and Fauna of the World reminds us of this fact, and above all to retain a critical, cautious and ironic attitude to the “real.”

Lous Martens about the book: "Seventeen years ago our grandson Jaap was born. That was the start of an animal book for Jaap. I used a dummy for the OASE journal of architecture and loosely pasted in pictures of animals that I had clipped from newspapers and magazines about art, literature and science. Plus stamps and photos from advertising brochures. Then Zeno was born and the same thing happened: an animal book for Zeno. Now I was working on two books at once. Then came Anna. Julian. Luca. At this point, there were five books-in-the-making on the table. And none of those five are finished yet. The children, as well as myself, enjoy seeing the small, ever-evolving changes. The additions. These books were never intended for the outside world where I had found all the pictures. Never intended to be published. Now they lie here, grouped into one big book, because others have convinced me it's what they deserve."

Appetite for the Magnificent is a photographic and essayistic exploration of the history and present-day world of the aquarium. David and Tania Willen focus their lenses on the pictorial, aesthetic dimension of present-day aquariums in Swiss zoos and Switzerland’s high-end aquarium scene: public and private labs in which “aquascapers” design animal-vegetable-mineral gardens of aqueous delights. These moving-picture aquascapes float between the poles of reality and virtuality, presence and absence, the animate and inanimate world. The fish swimming around in the tank may be present as living, breathing creatures, and yet we also perceive them through the glass as images of fish. In the Willens’ photographs, all shot from the front, the fish seem suspended in mid-air, an effect that brings to the fore the virtual side of the aquarium: it is nothing short of a precursor to the television set.

Published by Village Press in 1989, Jun Abe’s Creaturers marked the photographers first photobook of his career. Exhibiting the work at Picture Photo Space in Osaka in 1989, Abe’s Creaturers contains 42 black and white images which capture animals photographed from zoos, aquariums, and arboretums.

Fallschirmspringende Hunde, ferngesteuerte Haie, Raketen, die von Tauben gelenkt werden, Katzen mit implantierten Abhörgeräten : In diesem Buch geht es um Tiere, die der Mensch zu Kriegsteilnehmern gemacht hat. Die militärische Nutzung von Tieren spielt seit Anbeginn der Kriegsgeschichte eine entscheidende Rolle. Tiere sind ständige Wegbegleiter, jedoch keineswegs ebenbürtige Partner der Menschen. 32 erstaunliche, skurrile und bizarre Tiersoldaten dieses Buches zeigen, dass der Mensch keine Grenzen kennt, wenn es darum geht, sich gegenüber dem Feind einen Vorteil zu verschaffen. Woher kommt die Selbstsicherheit, mit der der Mensch sich die Fähigkeiten der Tiere zunutze macht ? Welche Konsequenzen hat das für Mensch und Tier, und wie und warum gerät der Vormachtsglaube der Menschen gerade zu Kriegszeiten ins Wanken?

American photographer Wayne Levin makes photographs of organic seascapes that are united into the underwater space. Made in space without gravity, as if flying in the sky, Levin’s black and white photographs remain as mystical illusions of light.

Howling Winds is the fifth chapter of Vasantha Yogananthan’s long-term project A Myth of Two Souls, which offers a contemporary retelling of The Ramayana. A seven-chapter tale first recorded by the Sanskrit poet Valmiki around 300 BC, The Ramayana is one of the founding epics of Hindu mythology and has been continuously rewritten and reinterpreted through time.

Since 2013, Yogananthan has been travelling from north to south India to Sri Lanka, retracing the itinerary of the epic’s heroes. Between fiction and reality, he deliberately blurs the lines through multiple aesthetic approaches.

At the end of chapter 4, the wicked Ravana abducts Princess Sita. While Rama is in great distress, hundreds of thousands of animals from all around the world gather to search for Sita. They know that on the far shore of the ocean is the bright and shining island of Lanka, where Ravana is living.

Shot along the coastlines of Tamil Nadu and Sri Lanka, Howling Winds mixes classic color photographs with acrylic hand-painted photographs to echo a world of magic.